Private Recording Session
Singing ONSTAGE! A Master Class with Tyler Pearsons of NYC
During this two-hour master class, Tyler will help vocal performers develop stage presence, make bold character choices, find the truth of the song, and elevate their performance—as well as how to “get out of your own head” and really truly live the song. Students are required to bring with them a piece of music from their audition book, their church, or perhaps just a song they like to sing around the house. Tyler will coach you through your piece, offering insight to help get you performance ready.
Registration fee: $60 paid in advance. Please contact the Director of the ATS&O to register and submit your fee: dankehoe@aroundtownsingers.org or call the ATS&O National Box Office and leave a message at (860) 386-5154. All ages. Comfortable dress. Limited to 15 participants, to allow for adequate personal focus. Sorry, we are unable to accommodate walk-ins.
About your teacher: Tyler Pearsons has been enjoying a diverse performing career in New York and all around, appearing in: Off-Broadway: The 25th Annual Putnam County Spelling Bee (William Barfee), Fabulous (Hell’s Kitchen Harry), Siren’s Den (Kurtis). Regional/Touring: Jesus Christ Superstar (Herod), Godspell (Judas), The Full Monty (Dave), and Peter and The Starcatcher (Alf). Television: Tyler has appeared on Law and Order SVU and created/produced the TV pilot “Full Count”.
Your host for the evening, and Tyler’s accompanist, is Director of The Around Town Singers and Orchestra, Dan Kehoe. Dan has produced, orchestrated, and directed more than 15 major productions in New England, and specializes in identifying and showcasing up-and-coming talent of all ages, and teaching stage presence, especially to young performers. His newest production (in which Tyler is featured) is right here in the Raleigh area on July 21, www.HymnSingSpectacular.com. He thanks Ruggero Piano for their support in arranging a grand piano for the show, and is himself the very happy owner of a Kawai grand from Ruggero.
Don’t miss this free Masterclass featuring Yamaha Artist Bill Wolfram and participants from local Universities.
Introduction to the Concept of Emotional Rhythm
Basic emotional rhythm has been described by writers, runners, dances, vocalists and musicians. This session will introduce the work of Abby Whiteside and Sophia Rosoff. Their work enhanced many pianists’ ability to play with freedom and maximum expression.
Outlining: A Crucial Practice Technique
Basic emotional rhythm has been described by writers, runners, dances, vocalists and musicians. This session will introduce the work of Abby Whiteside and Sophia Rosoff. Their work enhanced many pianists’ ability to play with freedom and maximum expression.
Rhythmic Freedom and Performance from the First Lessons
Approaches discussed will be applied to materials from Alfred, Faber, Marlais and others. Devices like Splashing, singing, and the use of auditory approaches blended with these methods can enhance the confidence and musicality of younger students.
Making Sense of Technique: Integrating musicality
Whiteside was against unmusical playing of scales and technical routines. This last session explores ways to bridge the gap between technique and performance.
Fall Course Live Stream – Wellness for Piano Teachers & Musicians – How to Naturally Stay Healthy in the Neck, Shoulders and Spine for Piano Teachers featuring Chip Moseley, MPT, OCS, CSCS, Clinician
Teachers and musicians of all disciplines are often challenged by chronic tension in the neck, shoulders and back. Learn how to prevent pain and teach and perform more healthfully with these approaches, stretches and exercises. In the comfort of your home or studio, try out these exercises!
Chip Moseley earned his Masters in Physical Therapy and a Bachelor’s Degree in Chemistry from the University of North Carolina at Chapel Hill. Chip is one of a few Board Certified Orthopedic Specialists in Physical Therapy in North Carolina. In addition, he has a specialty in strength and conditioning. Chip has earned hundreds of hours of continuing education in Biomechanics of movement and manual therapy. Chip has been with Total Motion PT in Durham for almost two decades. He has been a physical therapist since 1988.
These workshops are complimentary – simply click here and enjoy!
Dr. Carol Ann Larry , Workshop Coordinator
Fall Course Live Stream – Wellness for Piano Teachers & Musicians – Defining and Teaching Well-Coordinated, Injury-Preventive Piano Technique featuring Barbara Lister-Sink, Ed.D.
Pianists of all ages and levels are often frustrated and even tragically hindered by discomfort, pain, and injury related playing. Dr. Barbara Lister-Sink, author of the MTNA-award-winning DVD IFreeing the Caged Bird–Developing Well-Coordinated, Injury-Preventive Piano Technique, will offer an accessible but scientifically informed look into the heart of injury-preventive piano technique. She will demonstrate basic biomechanical principles that can constitute a “basic form” for pianists of any age or level; define how the body is designed to work best with the instrument; and discuss risk factors for injury. Finally, she will offer practical tools for teaching the sensations of good coordination and freedom.
Internationally acclaimed pianist and acknowledged global leader in injury-preventive keyboard technique, is a graduate of Smith College, the Utrecht Conservatory and holds an Ed.D. from Columbia University. A Steinway ARtist since 1977, Lister-Sink has performed and given workshops throughout North America, Europe and Australia. As the current Artistic Director of the Salem College School of Music and Director of the Graduate Music Program, she has also taught on the Eastman School of Music Artist Faculty and was keyboardist for the Royal Concertgebouw Orchestra. A previewer for Oxford University Press, Lister-Sink was chosen by Musical America Global as one of America’s “30 Top Professionals of 2018” as an innovator, independent thinker, and visionary leader.
These workshops are complimentary – simply click here and enjoy!
Dr. Carol Ann Larry , Workshop Coordinator
Fall Course Live Stream – Wellness for Piano Teachers & Musicians – The Alexander Technique for Pianists – In Introduction featuring Suzanne Faulkner
The Alexander Technique (AT) is the investigation of how intention and habit affect physical coordination and learning capacity. AT has a long history of helping instrumentalists perform with less stress and likelihood of injury. With a mixture of lecture and experiential learning, this workshop will introduce you to the tools and foundations of AT. These tools can be applied to your particular issues regarding injury recovery and prevention, or as a way to deepen your relationship to your instrument and enable a bit more freedom in all that you do.
Over the years Suzanne Faulkner has worked with a wide variety of instrumentalists both amateur and professional. Some sought her AT teaching to get relief from injuries or to improve sound performance issues, others have come out of sheer curiosity. Suzanne has been studying AT since 1987 and for 25 years has been an active member and recognized teacher of The American Society of TEachers of the AT. She continues her studies and development of this technique with Ruth Kilroy and the dynamic AT community in the Boston area.
These workshops are complimentary – simply click on the link and enjoy!
Dr. Carol Ann Larry , Workshop Coordinator
Join us in welcoming Dr. Indrek Laul, Concert Pianist and CEO of Estonia Piano Company for “The Art of Sound” Masterclass!
Masterclass
This masterclass will feature four piano students and works from Brahms, Chopin, Rachmaninoff, and Lyapunov.
Dr. Clara Yang Bio
Praised for her “breathtaking technical prowess” (Cultural Voice of North Carolina) and “probing emotional depth and daring individuality” (Peninsula Reviews), Chinese-American pianist Clara Yang has performed on some of the world’s leading stages, including Weill Recital Hall at Carnegie Hall (New York), the Forbidden City Concert Hall (Beijing), the National Auditorium of Music (Madrid), the Seymour Centre (Sydney), and Kodak Hall at the Eastman Theatre (Rochester). Featured on prestigious concert series such as Carolina Performing Arts and Dame Myra Hess Memorial Concert Series, she connects with audiences by creating deep emotional experiences through her musical storytelling.
She has appeared as soloist under the baton of distinguished conductors including Vladimir Ashkenazy, Long Yu (余隆), Carl St. Clair, Josep Caballé Domenech, George Jackson, Laura Jackson, Tõnu Kalam, Grant Llewellyn, and Jeff Tyzik, with renowned orchestras such as the European Union Youth Orchestra, Sichuan Symphony Orchestra, Banda Sinfónica Municipal de Madrid, Pacific Symphony, and the North Carolina Symphony.
Yang is equally at home in the classical canon, new music, and interdisciplinary work. Known for her bold artistic vision, she has collaborated across genres with luminaries including pianist Aaron Diehl, new media artist Xuan, rock guitarist Yvette Young, and hip-hop artist Suzi Analogue. In 2024, she was named an Artist-in-Residence at the renowned Baryshnikov Arts for her multimedia project Ex Machina, will be presented by Baryshnikov Arts as part of Carnegie Hall’s United in Sound: America at 250 festival. A champion of new music, she performed alongside Philip Glass, Timo Andres, and other distinguished artists in The Complete Philip Glass Piano Etudes concert produced by Pomegranate Arts. She also gave the world and U.S. premieres of Chen Yi’s Piano Concerto Four Spirits—written for her—with the China Philharmonic Orchestra (中国爱乐) at the Forbidden Concert Hall in Beijing and on Carolina Performing Arts.
Her recordings have received critical acclaim and international media coverage. Her solo album Folding Time (Albany Records) was awarded a Global Music Awards Gold Medal and named one of the Best of 2016 by American Record Guide. Her collaborative albums—Mother Tales (Navona Records), with violinist Sunmi Chang, and Grieg and Prokofiev (Albany Records), with cellist Helen Xiao-Dan Zheng Altenbach—have been praised by Strings Magazine, Pizzicato, and Fanfare. Her performances have been broadcast worldwide, and she has been profiled by major media outlets and publications in both the United States and China.
A committed educator and mentor, she has presented masterclasses, lectures, and coaching sessions at leading institutions and festivals across the globe, including the China Conservatory of Music, Central Conservatory of Music, Piano Academy in Gulangyu, Moscow Tchaikovsky Conservatory’s Musical College, King’s College London, Liceu Conservatory in Barcelona, and the Southeastern Piano Festival. Her students have garnered top prizes in national and international competitions. She was a national reviewer for the renowned YoungArts organization and served on the Artistic Panel for New Music USA. Recipient of the prestigious Institute of Arts and Humanities Fellowship and the Schwab Academic Excellence Award at UNC-Chapel Hill, she currently serves as the Head of Keyboard Studies at the university.
Yang holds a DMA from the Eastman School of Music, where she studied with Nelita True; an MM and Artist Diploma from the Yale School of Music, under Claude Frank; and a BM from the USC Thornton School of Music, where she studied with John Perry. Her precollege mentors include Hans Boepple, Zhou Guangren (周广仁), and Li Huili.
